The Self-Recording Band Podcast: Mixing on headphones
We recently joined Benedict and co-host Manel Espinosa Binger on a recent episode of The Self-Recording Band Podcast, a show dedicated to helping DIY musicians create professional-sounding records. diving deep into the world of self-recording, mixing, and production.
Rok shared his journey of starting OLLO and why he felt the need to create a new kind of studio headphone. His story began when he became a father to twins. Mixing on speakers was no longer an option with babies around, so he turned to headphones - but he quickly realized that finding a good pair for mixing was no easy task.
The Challenge of Mixing on Headphones
For those used to mixing on speakers, headphones present a unique challenge. Speakers provide a tactile experience—you feel the bass in your chest, the vibrations through the room. Headphones strip that away, making it harder to judge balance, depth, and stereo imaging.
Rok's struggle to find headphones that translated well to other listening environments led him down a rabbit hole of research. He experimented with different designs, learned about tactile transducers (subwoofers that add physical vibrations), and eventually developed the OLLO Audio headphones, designed to give mixing engineers an accurate and reliable tool for working in any environment.
Why Quality Headphones Matter
This conversation highlights an important truth: the right gear can make or break your creative process. Investing in a well-designed pair of headphones—whether OLLO or another trusted brand—can provide a more reliable and inspiring mixing experience.
So if you’re serious about making music, it might be time to consider whether your gear is holding you back—or pushing you forward.
From a Garage to a Global Brand: The Story of OLLO Audio
Most great ideas start with curiosity. For OLLO Audio, it began with a simple yet ambitious question: how do you bring the immersive sound of a studio environment into a headphone experience? That journey led to not just a company but a revolution in how musicians and engineers approach mixing.
The Birth of OLLO Audio
Before OLLO became a recognized name in the world of professional audio, its founder, Rok, was experimenting with tactile transducers—silent devices that push vibrations directly into materials rather than into the air. The idea was to recreate the feel of a studio’s deep, immersive sound at high volumes but in a personal, headphone-like format. While that initial experiment didn’t perform as expected, it led to a crucial discovery: learning how sound behaves in headphones versus speakers.
That curiosity soon evolved into a hands-on project—building headphones for personal use, testing, and refining them. Friends started asking for their own pairs, and before long, what started as a passion project in a garage became a full-fledged business. One year later, OLLO Audio was born.
Built for Engineers, Designed for Durability
From the very first prototypes, OLLO’s approach was about more than just great sound. The earliest models, handcrafted in Rok’s father’s garage, were built with nuts, bolts, and whatever tools were available. That hands-on, exploratory mindset became a defining philosophy: headphones should be durable, fully repairable, and made to last.
This is why every OLLO model today is designed with replaceable parts, making them some of the most sustainable and long-lasting headphones on the market. In fact, OLLO is so confident in their durability that they offer a five-year warranty.
More Than Just Sound – Aesthetic and Sustainability
It’s not just about how they sound—it’s about how they feel and how they’re made. OLLO headphones avoid plastic as much as possible, using metal and wood to create a design that’s both visually striking and built for longevity. Easy to dismantle, easy to repair—ensuring that every pair can stand the test of time.
The Meaning Behind the Name
Ever wondered what OLLO stands for? It’s actually a combination of the names of Rok’s twin sons—Oliver and Lev. When looking for a brand name, he wanted something that was easy to pronounce worldwide, visually appealing, and carried personal meaning. Thus, OLLO was born.
The Future of OLLO
From a garage-built prototype to a global brand trusted by professionals, OLLO Audio has stayed true to its roots—creating high-quality, sustainable, and repairable headphones that redefine how we experience sound. The journey that started with a question continues to push boundaries, proving that passion, experimentation, and craftsmanship can lead to something truly extraordinary.
Headphones vs. Monitors: Which Is Better for Mixing?
The eternal debate among engineers—should you mix on headphones or speakers? The answer, as always, is: it depends.
For those working in well-treated studios with high-end monitors, speakers provide a natural sense of space and depth. But for many, an untreated room can introduce unwanted reflections and inaccuracies. That’s where headphones come in—they remove the room from the equation, allowing for precise detail and consistency.
Many engineers, like Manel, rely heavily on headphones for up to 80% of their mixing work, only switching to monitors for final checks. This workflow allows them to mix reliably no matter where they are—whether in a home studio, on the road, or in a less-than-perfect acoustic environment.
The best solution? A combination of both. Use headphones for accuracy, but check on speakers to ensure a mix translates well in different listening environments.
The Difference Between Standard and Professional Headphones
A common question is: why invest in high-end headphones when standard ones seem to do the job? The answer is simple—professional headphones are built for accuracy, reliability, and longevity.
Unlike consumer-grade headphones, which are mass-produced with loose quality control (often just a pass/fail test to ensure they produce sound), professional headphones undergo meticulous tuning and testing. Two pairs of consumer headphones, even of the same model, can sound noticeably different. This inconsistency makes them unsuitable for professional work, where precision is everything.
Trust and Reliability in Professional Audio
For an audio engineer, trusting your equipment is crucial. A professional headphone must provide a consistent, unaltered reference. If your headphones introduce even slight inaccuracies, your entire mix could translate poorly on other systems. Beyond sound quality, durability is another key factor. A professional-grade headset must withstand daily use, travel, and the occasional accident—whether it's being sat on, yanked by a cable, or even stolen.
The Role of Customer Support in Professional Gear
One often-overlooked aspect of professional headphones is the support behind them. When deadlines are tight and you’re on the road, you can’t afford to be left without functional gear. Consumer models are widely available, but high-end headphones require specialized service and parts. Having access to immediate repairs, spare parts, or even replacement units can be the difference between meeting a deadline or missing an opportunity.
Beyond Frequency Response: What Makes a Great Headphone?
Many assume that a flat frequency response is the ultimate goal for a professional headphone. While it's important, it's not the only factor. Even if two different models measure similarly flat, their performance can still differ dramatically.
Much like studio monitors in a treated room, the quality of sound isn’t just about frequency balance—it’s about clarity, distortion control, and transient response. A well-designed headphone ensures that sound remains clean, with minimal distortion and accurate transient reproduction. The way the air moves within the earcup, how reflections are managed, and even how tightly the headphones seal against your ears all contribute to the final sound experience.
For example, wearing glasses can create a tiny gap between the earpads and your head, which drastically reduces bass response. Similarly, shifting the position of headphones even slightly can alter how high frequencies are perceived. These details are why high-end headphones focus on consistency, precision, and optimized acoustics beyond just having a 'flat' tuning.
Why Do High-Quality Headphones Cost What They Do?
High-quality materials, craftsmanship, and attention to detail naturally raise production costs. While mass-market brands can rely on economies of scale, boutique companies take a different approach. By keeping operations small and specialized, they optimize every step of the process—from design to assembly, quality control, and customer support.
In the case of OLLO, the combination of premium materials like wood and metal, handcrafted assembly, and European-based production results in a product that is both high-end and affordable within its class. Unlike mass-market brands, where cost-cutting leads to compromises, OLLO balances quality and price through careful optimization.
At the end of the day, a $500 professional headphone might seem expensive—but when you factor in durability, performance, and long-term reliability, it’s an investment that pays off in precision and trust. By prioritizing accuracy and quality over flashy marketing trends, boutique manufacturers create tools that professionals can rely on for years.
The Challenge of Consistency and Calibration
Even among high-end headphones, minor variations exist between units due to production tolerances. This is why calibration tools like Sonarworks exist—not to 'enhance' sound, but to ensure consistency. Sonarworks corrects these tolerances, ensuring your headphones deliver a neutral, reliable response. Even after calibration, tolerances of up to 3dB can remain, which demonstrates how significant these natural deviations are.
Why It All Matters
For professionals, high-quality headphones are not a luxury—they are a necessity. The ability to trust what you hear, rely on durable materials, and access proper support ensures that your workflow remains uninterrupted. Investing in professional headphones means investing in accuracy, efficiency, and longevity, all of which directly impact the quality of your work.
Whether you're mixing in a studio or producing on the road, having the right tools can make all the difference. And when sound is your business, compromise is not an option.
The Challenges of Mixing on Headphones
Many engineers, especially those working in home studios, rely heavily on headphones. One of the key benefits is that headphones remove the room from the equation, providing a reliable monitoring system unaffected by acoustics. However, there are challenges too.
One of the biggest issues is the lack of crosstalk—on speakers, even hard-panned sounds are heard by both ears due to natural reflections and blending in the room. On headphones, left and right are entirely isolated, creating a different stereo image. This can lead to common mixing mistakes, such as making center-panned elements (like kick, snare, and vocals) too loud because the separation is so distinct that side-panned elements feel quieter than they actually are.
Another challenge is low-end perception. When mixing on speakers, especially with a subwoofer, you can feel the bass frequencies physically. On headphones, that sensation is lost, which can make balancing low-end elements more difficult.
The Advantages of Mixing on Headphones
Despite the challenges, there are plenty of reasons why engineers choose to mix primarily on headphones. For one, they provide unmatched detail and clarity, making it easier to fine-tune panning effects and subtle reverb tails. When traveling or working in untreated rooms, headphones offer a consistent monitoring environment, ensuring that mixes remain reliable across different setups.
There are also tools available to help compensate for headphone-specific issues. Some software solutions simulate crosstalk and room acoustics, making the headphone mixing experience feel more like a speaker setup. Additionally, a trained ear can learn to recognize and compensate for headphone limitations over time.
The Real Goal: Translation Across Systems
At the end of the day, the goal isn’t to achieve a perfect mix—because that’s impossible. Every playback system, whether it’s a pair of high-end studio monitors, a car stereo, or a cheap Bluetooth speaker, will sound different. The real challenge is creating a mix that translates well across multiple systems.
That’s why experienced engineers constantly check their mixes on different devices, whether it’s headphones, speakers, or even a phone’s built-in speaker. The key is to ensure that no essential elements—like bass depth, vocal clarity, or stereo width—are completely lost, no matter where the mix is played.
So, should you mix on headphones or speakers? The answer isn’t black and white. Ideally, a combination of both will provide the most balanced results. But with the right approach, headphone mixing can be just as effective as working on speakers—if not more so in certain situations.
The Evolving Landscape of Audio Mixing: Speakers, Headphones, and Translation
As audio engineers, we all know the constant balancing act between gear and the actual sound we’re crafting. The pursuit of a perfect mix often leads us down a rabbit hole of better speakers, more accurate rooms, or the latest headphones. But in the end, the essence of the music remains the same: How does it make the listener feel? Whether it’s on high-end speakers, earbuds, or in the car, the goal is always to translate that emotional vibe, that connection to the listener, no matter the device.
When it comes to mixing, most of us have a preferred setup—be it headphones or speakers. But one thing becomes clear: it’s not just about the gear you use, it’s about understanding the environment in which you’re mixing. Translation is a key term in this discussion. Translation refers to how well your mix carries across different listening systems and environments. Some engineers swear by their personal setup, mixing exclusively in a room with speakers they know inside out, refusing to trust unfamiliar spaces, no matter how calibrated the gear may be.
But what is translation? It’s about ensuring that the emotional response you want your listeners to have stays consistent across different mediums. Your mix may sound dramatically different on headphones than on speakers, but the feeling—the vibe—should remain the same. This emotional through-line is what makes a song resonate, regardless of whether it’s being played on a high-fidelity system or a cheap pair of earbuds. The listener won’t notice the technical differences; they’ll only care whether they connect with the song or not.
For many engineers, mixing on unfamiliar speakers or in a different room can be nerve-wracking. Even a minor change in your environment, like switching desks or adjusting speaker placement, can make you second-guess your decisions. This is where headphones can offer a sense of control. They remove the complexities of room acoustics and speaker translation, offering a more predictable, consistent listening experience. But even with headphones, there’s always the question: What’s the best way to use them?
Some engineers lean into tools like Sonarworks, Waves NX, or RealPhones for room emulation and calibration. These tools can simulate how your mix would sound in various environments, giving you a better sense of how it might translate when played back through different systems. For instance, the X1 headphones, an evolution of the S4 and S5 models, are specifically designed with personal audio monitoring in mind, offering built-in calibration options and room emulation through RealPhones software. This makes it easier than ever to simulate how your mix might sound in different spaces, with customizable target curves for a variety of listening environments.
But is it necessary? Not for everyone. Some engineers prefer to skip these tools, trusting their personal setups to deliver the most accurate results. For others, it’s about experimenting and finding what works best for them, even if it means stepping outside the comfort zone. With the X1, you have the option of mixing with or without additional calibration, letting you stay true to your own methods while taking advantage of the latest advancements in headphone technology.
Ultimately, the conversation about translation, headphones, and speakers boils down to one simple truth: It’s all about confidence in your decisions. Whether you're working with trusted speakers in your well-known space or experimenting with headphones and calibration software, the key is trusting the gear and the process to deliver the emotional response you’re aiming for. Because at the end of the day, the real question isn’t how your mix sounds, it’s how it makes the listener feel.
Whether you choose to embrace the latest tech or stick to your tried-and-true methods, the goal remains the same: to create music that resonates with people, no matter where or how they’re listening.
Mixing vs. Tracking Headphones: Open vs. Closed - What's the Difference?
When it comes to choosing headphones for studio work, there’s no one-size-fits-all solution. Depending on whether you're mixing, tracking, or recording, the type of headphones you use can have a significant impact on your workflow and sound. Let’s dive into a discussion that explores the differences between open-back and closed-back headphones, and whether it’s worth trying to convert an open-back pair into a closed one.
Open-Back vs. Closed-Back Headphones: The Basics
The first thing you need to know is that open-back and closed-back headphones serve very different purposes. Open-back headphones allow sound to pass through the back of the earcups, providing a more natural, open sound that’s great for mixing. They offer better soundstage and clarity, making it easier to make critical mixing decisions. However, they do little to block external noise and can leak sound, which isn’t ideal when you’re recording.
On the other hand, closed-back headphones are designed to prevent sound leakage, providing better isolation from the outside world. They’re perfect for tracking vocals or instruments where isolation is key to preventing sound bleed into the mic. The trade-off? The sound might feel a bit more confined, and the soundstage isn’t as expansive as open-back headphones.
Should You Convert Open-Back Headphones into Closed?
Now, this is where things get interesting. Some audio enthusiasts wonder whether it’s possible to convert open-back headphones into closed ones. The short answer is: sort of, but not really.
While you might be able to add a back plate or some sort of modification to reduce sound leakage, it’s not going to be the same as purchasing dedicated closed-back headphones. The sound of the headphones will change, and they won’t perform optimally for mixing anymore. In essence, you’re taking a headphone designed for one purpose and forcing it into a role it wasn’t meant for. Think of it like trying to turn a convertible car into a hardtop—it might work, but it's not ideal.
Mixing and Tracking with the Same Pair?
The question of whether you can use one pair of headphones for both mixing and tracking is a common one. The answer really depends on your preferences and the work you’re doing. Some people, especially those who track more often, prefer to have a separate set for mixing and tracking. This ensures they get the best possible isolation for recording while maintaining a neutral, high-quality sound for mixing.
For tracking, you need headphones that seal well to prevent sound from bleeding into the microphone. So, closed-back headphones are typically the go-to choice. However, when mixing, you want something that gives you a more accurate representation of the sound, which is where open-back headphones shine.
Do You Need Separate Headphones for Mixing and Tracking?
The decision comes down to how much you value isolation while tracking versus the need for a neutral sound when mixing. If you’re just starting out and want an all-rounder pair of headphones, a closed-back pair can work for both tracking and mixing—just know that you might not get the same level of detail and spaciousness as you would with open-back headphones. If you’re at the point where mixing is your main focus, it’s worth investing in separate pairs for tracking and mixing.
The Importance of Trusting Your Sound
When it comes to headphones, one thing is clear: trust your sound. Some engineers argue that having headphones that give you a neutral, flat response is crucial for making sound decisions, especially when you're traveling and working in different environments. For him, it’s not about whether the headphones are open or closed, but whether they provide an accurate representation of what’s happening in his signal chain.
In fact, this idea of “trusting your sound” was explored in the documentary The Rabbit Hole of Trusting Sound. The film features multiple award-winning engineers who share their insights on how they choose headphones and how they ensure the sound they hear is reliable—whether they’re tracking or mixing.
Watch here:
Investing in Quality vs. Starting Small
When it comes to mixing and producing music, one of the most crucial decisions is choosing the right headphones. Whether you're a beginner or a seasoned pro, the debate often boils down to whether you should start with a budget pair or invest in higher-end headphones right from the start.
The Guitar Analogy
Let’s use an analogy. Think of headphones like guitars. When I was a guitar teacher, I noticed that many students began with low-quality guitars that were difficult to tune and play. It made it harder for them to progress because, as any musician knows, if the instrument isn’t up to standard, it’s hard to know if you’re the one playing out of tune, or if it’s the guitar itself. Ideally, a better guitar allows you to play more freely and identify your own mistakes.
The same can be said for headphones. Higher-quality headphones, like higher-end guitars, offer a better frequency response and more accurate sound, helping you pick up on subtleties and imperfections in your mixes. But if you're just starting out, it might be hard to notice these differences. So, the question remains: is it worth starting with a premium set, or should you go for a cheaper option and work your way up?
The Question of Budget vs. Quality
For beginners, the idea of spending more on headphones can be daunting. A more expensive pair might seem like an unnecessary luxury. However, as Manel and others point out, a reliable monitoring system can actually speed up the learning process. The clearer and more accurate the headphones, the faster you can understand your mixes and address any issues. In this way, investing in a good pair from the start could save you money in the long run by eliminating the need for multiple upgrades.
On the flip side, starting with a more budget-friendly pair might allow you to get comfortable with the process before committing to a higher-end product. If you're learning and don't yet have the trained ear to pick up on subtle differences, a good, affordable pair might be a fine starting point. But eventually, as your skills grow, you may outgrow these and need to make the leap to something more accurate.
Inspiration and Personal Preference
Another aspect to consider when choosing headphones is the emotional connection. Just like a chef might be inspired by quality tools in the kitchen, an engineer or producer might find that a high-quality pair of headphones enhances their creativity. Leo Abraham, a renowned engineer, said it best: sometimes the gear that inspires you is just as important as the gear that performs well. If spending a bit more on headphones makes you excited about your work, it’s worth considering the investment. Music is about storytelling and connection, and using gear that inspires you can enhance that experience.
What to Look For When Buying Headphones
When it comes to choosing the right headphones for you, personal preference plays a huge role. Some people prefer the sound of one pair over another, and that’s perfectly fine. While it’s a good idea to try different headphones before buying, the vast number of options can leave you feeling overwhelmed and confused. I’ve personally gone through the process of testing headphones in stores, listening to recommendations, and even just trusting my gut when I tried a pair and felt confident about them.
In the end, headphones that work for you are the ones that give you the right feel. For me, the Allos headphones fit that bill. I ordered them without much expectation, and after using them, I knew they were right for me. It wasn’t about comparing them to others—it was about how they felt and how they sounded in my workflow.
Conclusion: Quality, Comfort, and Confidence
Whether you decide to start with a budget pair or dive straight into premium headphones, the most important factor is finding something that works for you. If you're new to mixing, don’t be afraid to invest in good gear if it fits within your budget. If you're unsure, start small and upgrade as you go. Most importantly, choose headphones that inspire you and enhance your workflow—because, at the end of the day, the gear that makes you feel confident is the one that will help you create your best work.
From Headphones to AI: The Same Process, Different Medium
This concept of trusting experts and focusing on the end result can even extend to new technologies like AI. While the conversation around AI in the music world is still in its infancy, it shares similarities with the gear process. Benedict, while not against AI, emphasizes that the creative control should always remain with the artist. Just as you wouldn’t let your gear make decisions for you, you wouldn’t want an AI to take over your creative vision. The tools may change, but the principle of maintaining control over the outcome remains the same.
Conclusion: It’s About the Art, Not the Gear
Whether you're choosing headphones or experimenting with new technology, the most important thing is to stay true to your artistic vision. Trust the process, rely on the right people, and find the gear that inspires you—not just what’s trending or technically superior. And most importantly, remember that the best gear is the one that helps you tell your story, whether it’s through sound, visuals, or any other creative medium.
So, when it comes to headphones, whether you're a beginner or a professional, take the time to trust the advice of those who’ve been there. Don’t get bogged down by endless comparisons—focus on the feeling, the inspiration, and the connection to your craft. After all, in the world of creativity, it’s not about the gear; it’s about what you do with it.
Choosing the Right Gear: Is It Personal Preference or Practicality?
When it comes to selecting the right headphones, gear, or even AI tools for your studio, it all boils down to a balance of personal preference and practicality. Let’s dive into this dynamic and explore how different perspectives shape our choices, from selecting headphones to integrating AI into the creative process.
When it comes to something like AI in the studio, the idea is not about allowing AI to create art for you—it’s about using it as a tool to enhance your workflow, speeding up repetitive tasks and freeing up your energy for more creative decisions.
"I see AI as a workflow enhancement tool," explains Benedict. "It helps me make decisions faster, reduces fatigue, and allows me to stay objective longer. It's not about letting AI make decisions for me; it's about getting me to the right answer more efficiently."
This resonates with how he feels about headphones too. When selecting a pair, he’s looking for something that lets him hear exactly what’s going on, reduces fatigue, and allows him to mix confidently. Ultimately, it doesn’t matter if other headphones might sound better in some ways—once he’s found the one that gets him where he needs to go, he sticks with it. The gear is just a means to an end.
The Future of AI in the Studio
While Benedict and Manel may have different takes on it, one thing is clear: it’s about finding the right balance between creative control and efficiency. As Benedict put it, "I want AI to help me get to the results I want faster, but I still want to make the decisions."
For Manel, on the other hand, it’s about having an AI that can assist with the mundane tasks—like exporting tracks or automating repetitive processes—so that he can focus on the more artistic aspects of his work.
“Imagine a popup in your DAW that says, ‘Hey, you’ve done this 15 times today—would you like to automate it?’ That’s the kind of workflow tool I want,” says Manel.
The Takeaway: It’s Personal, It’s Practical
Ultimately, whether you’re selecting headphones, studio gear, or AI tools, the process involves a blend of personal preference and practicality. You need the right balance—something that feels right and works efficiently for you. And that’s what makes the creative process so personal. Trust in your gear, trust in your circle, and most importantly, trust your instincts.
Finding what works for you isn’t about the latest specs or features—it’s about finding a tool that helps you express your art, faster, more confidently, and with less fatigue. When that happens, it’s not just about the gear. It’s about the experience. And that’s something you can trust.
The Journey to Choosing the Right Headphones: Rok's experience
When it comes to selecting the right gear—whether it’s AI tools, studio speakers, or headphones—it's a process. A deeply personal process, in fact. We all navigate this journey in different ways, each influenced by our own experiences and preferences. For some, like Benedict, it’s all about testing and exploring the latest and greatest gear. For others, like me, it’s about trusting the process and recognizing what works for us over time.
I’ve been down the headphone rabbit hole myself. I’ve tried countless pairs, diving into forums, checking out reviews, and following the crowd in search of the perfect fit for mixing. My journey started like many others, with popular models like the Sennheiser HD 650, AKG K712, and Audio Technica M50x. Each had its pros, but none clicked for me. They didn’t translate well, and that’s when the frustration set in.
This is where my journey took a turn. Instead of continuing the endless cycle of trial and error, I decided to build my own pair. It wasn’t initially meant to be anything more than a personal side project, but the more I worked on it, the more I realized it was a gap that needed filling. What started as a quest to create the perfect headphones for myself turned into something bigger—an actual company. A company that focuses on a single, specialized product designed for mixing: the X1 headphones.
The decision to build my own headphones wasn't about creating the "perfect" product that would satisfy everyone. It was about crafting something that worked for me. And honestly, that’s a big part of it. The headphone world is vast, with endless options to choose from. There’s no universal answer because, in the end, it comes down to personal preference. What works for one person might not work for another, and that’s okay. There are a lot of fantastic headphones out there, but none of them will ever be “the one” for everyone. For some, it might be the popular models that work just fine. For others, it might be something entirely different—maybe even custom-made.
Choosing headphones—or any gear for that matter—isn't just about sound quality. It’s about trust, experience, and understanding what will get you where you need to go. When I started my headphone journey, I wanted something that would help me mix faster, with confidence and without fatigue. After trying different models, I found that the X1 headphones met those needs. They’re not about creating the perfect sound for everyone; they’re about making the process easier for those who need them.
Of course, everyone’s journey is different. Not everyone will feel the same about the X1 headphones, just like not everyone will fall in love with the same gear. That’s the beauty of it—there’s something for everyone, and finding the right tool for the job is part of the fun.
The world of audio gear, especially headphones, is a rabbit hole. A never-ending loop of decisions, preferences, and trust in the process. Whether you’re building your own gear or testing the latest models, the key is to trust your instincts and find what works for you.
In the end, the right headphones are the ones that help you create with confidence and ease. Whether you get there through trial and error or by diving into the latest tech, it’s all part of the journey.
If you're looking to explore the world of professional audio gear, check out the X1 headphones and see if they might be the right fit for you. They’re built for mixing, and they’re built to last. But remember, your journey is your own, and the best tool for the job is the one that feels right for you.
So, don’t be afraid to dive deep into the rabbit hole, test out different options, and find what works. You may just end up with something better than you expected.
Stay tuned for more insights into the world of audio gear, and remember—trust your process.
