*Most studios do not have a truly flat frequency response. They have modal dips and peaks that even software can't even out. The X1 fixes this with room independance and flat tuning, allowing your monitoring to rival the flattest studios in the world.
FLAT SOUND FROM LAPTOPS TO ANALOG CONSOLES
No room treatment required. The X1 individual calibration follows you to any device. Plugin independent.
🔻
Plugin & direct EQ support
Run the USC calibration as a plugin on your laptop or as direct EQ values on any hardware e.g. RME Total Mix, UA Console, MOTU Control, Neumann Monitor Mission and any DSP enabled audio interface or analog EQ strips.
🔻
Individually calibrated -
using the power of AI processing
Every X1 unit is individually tested and calibrated to fix any frequency response deviations from material and acoustics. The AI analytical power enables finetuning the X1 with another layer of precision.
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🔻
Studio, FOH and car emulations
The USC II plugin features studio, front-of-house (FOH), and car emulations, expertly preset by OLLO and powered by Realphones technology.
🔻 Stereo, spatial and Harman targets
The X1 default calibration is optimized for stereo mixing and translation. With just one click, you can switch to spatial audio mixing in binaural mode or use the popular Harman target to cross-check your mix.
*Available only with the USC II plugin.
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BUILT TO LAST
Carefully made on the edge of the Alps
Life is too short to spend it wearing cheap plastic injection molded headphones on your head pretending you're well equipped for success.
DURABLE BY DESIGN
Handbuilt from American walnut, Aluminium, Stainless steeel, Artificial leather, and Silicone. Backed up with a 5-year limited warranty.
SERVICEABLE WITH HOME TOOLS
All parts are exchangeable using home tools and available in the webstore.
EASY MAINTENANCE
When it's time, you can easily replace worn out parts of the X1 right at home. No special skills needed – anyone can handle it.
QUICK SETUP
Plug them in, put them on, and hit play. Share with your colleagues quickly without needing to adjust the headband.
EASY TO DRIVE
Custom made low impedance drivers play loud on just about any device.
K-METERING SETUP
Complete instructions for setting up K-metering with the X1 studio headphones can be found in the secure login area once you've made your purchase.
R&D TO THE BRICK WALL LIMITS
Neutral and flat sound signature was perfected in close R&D collaboration with 25+ award winning audio engineers working with Adele, U2, SIA, Lady Gaga, Usher, Depeche Mode, Sting, Björk and many more.
"X1 feel like a sonic microscope, helping me find the sweet spot of every sound I record, without heavy EQ."
ROBERT DUDZIC | Sound Designer for film, TV, and games
"Because they deliver consistent mixes and masters, I can't go anywhere without them. Easily my favourite headset so far."
TOKYO SPEIRS | Walk Off The Earth
"Switching from my studio monitors to the X1’s feels like putting a sonic magnifying glass to the audio."
SARA CARTER | Simply Mixing, Mix Engineer & Former BBC Sound Engineer
"The X1 earns your trust with a detailed, flat response, making them one less thing to worry about."
SETON DAUNT | GUITARIST, SONGWRITER, PRODUCER
"The X1 enable effortless switching between headphones and speakers, with lightweight comfort for long sessions."
ADAM MOSELEY | Producer, Engineer, Mixer, Educator
“The OLLO X1 are the best headphones for mixing I've ever experienced. Over the last two mix projects I've worked them in to become familiar and the results have been incredible. Going between my monitor speakers and the X1's feels flawless and I now trust the work with the X1's. Trusting a pair of headphones for mixing is a massive change for me because I've never found a pair of headphones to mix on that did not guide me down the wrong path at some point. I'm having a hard time now imagining mixing without them.”
- JACQUIRE KING
Grammy Award-winning Producer, Engineer, Mixer Tom Waits, Norah Jones, Zach Bryan, Kings of Leon, James Bay
As seen on
“Great-sounding, comfortable and stylish headphones with a neutral delivery. OLLO Audio’s latest headphones could be the perfect solution for mixing and mastering."
"With the X1, OLLO Audio have proved that a start‑up with original ideas and an individual philosophy can absolutely compete head‑on with the titans of headphone monitoring. These are every bit as good as other models I’ve tried in the same price bracket. Impressive!"
"I can confidently call the X1 an excellent price / performance ration, they deliver a uniquely better mixing and mastering experience than most of the competition, also a better experience for listening and hifi enjoyment, while having a reliable warranty and build quality."
"The over-ear, open-back Ollo Audio X1 delivers a precise frequency response for accurate sound assessment during editing, mixing, and mastering. Its materials are high-quality, handling is straightforward, and wearing comfort is excellent."
"At $525, the X1 is one of the best dynamic driver headphones I’ve mixed with.
They’re comfortable, accurate, and travel-friendly, making them a great companion whether you mix entirely on headphones or need a reliable portable option."
"The X1 headphones with plug-in calibration can help you achieve cohesive mixes that translate onto any playback system.
With the USC-II Calibration plug-in, you can quickly switch from stereo to spatial modes or use the Harman Curve to cross-reference your mix. Also, the plug-in offers binaural simulations of different spaces, including front-of-house, car, and studio emulations."
"For the listener who wants a handcrafted, individually calibrated, user-serviceable open-back headphone that reveals musical detail without sacrificing the pleasure of listening - the Ollo Audio X1 is a remarkable product at a price that is very difficult to fault."
Our headphones are built to last. Backed up with a 5-year limited warranty.
SERVICEABILITY
All parts are exchangeable using home tools and available in the webstore.
Engineering DNA
technical specifications
Feature
Specification
Style
Open back, Over the ear
Frequency range*
5 Hz - 22 kHz sweep 1/3 oct p-p range 9.8
dBSPL +/- 1dB
SPL/sensitivity*
101 dBSPL @ 1kHz RMS3dB @ 0 dBu
Impedance*
~32 ohm - works with all devices
Speaker type and size
Dynamic, 50mm
Magnet type
Neodymium
Membrane
Composite Pu+PET patented pattern
THD & 2nd*
<0.05% & <0.02% @ 94 dB SPL @ 1kHz
Ear pads diameter in/out
57,5mm/95mm
Ear pads material
Acoustic foam with perforated artificial
leather and velour
Ear cups material
American walnut
Headband material
Stainless steel and silicone
Cable termination
Detachable 2 meters long Y 2.5mm mini jack
Connector
3.5mm jack with an adapter to 6.3mm jack
Calibration
Unit Specific Calibration included
Weight ex. cable
390 g (0.8 lb)
International warranty
5-year limited warranty
Trial period - Money back
90 days from delivery date when purchased
directly from OLLO Audio
Product classification
EN 60268-7-IEC-DCLO-32R0-2
*data capturing standard
EN 60268-7 with IEC 60318-1, sweep signal,
output 1ohm, 100Hz-10kHz tolerance +/- 1dB, USC calibration disabled
The Anatomy of Sound
Dynamic Neodymium speaker
50mm diameter, composite Pu+PET membrane with patented pattern
32 Ohms
101 dBSPL @ 1kHz RMS3dB @ 0 dBu 1ohm output - that makes them work with smart devices too
Left / right matched speakers (+/-1dB SPL tolerance, sweep, range 100Hz-10kHz in the free field at 1cm distance)
Replaceable using home tools
Earpads with outer diameter of 95mm (3.75in), an inner diameter of 57.5mm (2.25in) and a depth of a 20mm (0.8in), +/-2.55mm. Made of artificial leather and velour.
THD & 2nd <0.05% & <0.02% @ 94 dB SPL @ 1kHz with sweep source measured with IEC 60318-1 ear simulator.
Variation in frequency response in band from 5Hz to 22kHz ~9.8 dBSPL +/- 1dB SPL using sweep and IEC 60318-1 ear simulator.
Front-to-back air pressure equalization controlled with Saati flow resistor 3.2Ohms(²)/1cm².
Ex-centric and angled speaker in a conical radiation chassis with an optimal sound stage for best translation of instrument positions in stereo or immersive formats.
Frequency response calibrated for best translation of balance and artificially placed objects in stereo or downmixed (binaural) immersive projects.
Clamping force set to achieve target frequency response with industry-standard bitragional diameter of 14.3cm (KEMAR) on IEC60318-4 ear simulator.
Artificial leather strap and powder coated stainless spring steel are both replaceable using home tools.
360 earcups rotation and self adjusting strap for quick and easy head size adjustments.
2m long (6.5ft)and easy detachable silicone cable with enameled OFC core to ensure minimal signal distortion and long life.
Screw-on adapter from 3.5mm to 6.3mm jacks (1/8 to 1/4 inch)
Calibration is the "final mile" in delivering perfectly flat frequency response. All our headphones are very well tuned out of the box and measured in quality control. By measuring every individual unit we can capture any deviations in sound quality that comes from material tolerances for a specific unit. Calibration fixes these and frequency response beyond what's possible with acoustic design alone.Unit specific calibration can achieve an incredibly low tolerance of approximately ~1dB to the selected frequency target. For illustration purpose, generic software calibrations like Sonarworks Sound ID or Waves NX can only achieve about ~3dB.Unit Specific Calibration II (USC II) includes a software plugin (powered by Realphones) and a calibration data file generated using the power of AI processing. The plugin comes in AU, VST and AAX format for Mac and Win users and is also available in standalone version. The calibration data file is in XPS format that enables manual export of exact EQ values to any 3rd party EQ plugin or DSP enabled hardware; for example: RME TotalMix, Neumann Mission Control, UA console and others.Calibration includes:
OLLO USC II plugin (AU, VST, AAX)
OLLO USC II standalone app (Mac and Win)
USC II calibration data file compatible with Realphones and Waves Nx
Open data file for easy export to any 3rd party EQ or DSP enabled hardware
Enter your registration number in the notes field during checkout, and we'll ensure your VAT is refunded accordingly. For any inquiries or assistance, please use our Help Desk.
We currently ship to the EU, USA, Australia, Canada, Hong Kong, Japan, Mexico, New Zealand, Norway, South Africa, South Korea, Switzerland, and United Kingdom.
Extra costs, duties or levies: All EU and US orders include taxes and duties. Orders to other countries exclude taxes; local import taxes or duties may apply at delivery.
Delivery Times:
standard shipping: 10-18 days.
DHL or FedEx Express: 2 days.
We offer 90 days trial period on all our products. So you can take the time to test them out and make a decision. In case you wish to return them, you need to send them to us. We will refund your purchase but exclude any duties, levies and shipping back to us. For details reach out to our support.
You can purchase directly from us. Express delivery is usually in 2 days. We also have US based resellers and Amazon stores.
We have a list of resellers you can explore or buy directly from us. Most destinations are available. If your country is not on the shipping list in the checkout, please write to support@olloaudio.com and we'll maually check for delivery options to your address. You can also use WhatsApp support number 00386 69 71 28 41.
At this time we do not have balanced option available. You can find some generic options on Amazon or similar stores. The tip for both channels is the positive. If you wish to make your own cable, here's the wiring diagram.
We have service center in the USA, UK and the EU. Reach to support for details.
We believe in fair pricing all year long.
Free beats, gigs and mixes are all disrescpectful and are killing the industry. Everyone should be paid fairly and accordingly. So we do not offer discounts per se (not even on Black Friday and Cyber Monday) as we don't support that mentality.
We do lower the price when there is a good reason to do so. And we have three!
1. B STOCK UNITS
B stock items are sonically exactly the same as A stock but with minor cosmetic imperfections. These are brand new, unused units. Limited offer to when such units are available! Check availability here.
2. OFFER FOR STUDENTS
We’re aware that being at the beginning of your career can be hard. We have an offer to support all the audio-related students and teachers with a 25% discount on our headphones. To get this offer, please reach out to us with your student or teacher ID via this form, so we can verify eligibility and grant you a student status with us.
3. ENDORSEMENT PROGRAM
Our community is at the heart of everything we do. Engineers, creators and artists participate in the process of developing all of our products. If you work as a full-time audio engineer, musician, or in a similar audio-related profession and share the passion for pro-audio, you can apply to join. The endorsement community is the cornerstone for our R&D team. We take their feedback very seriously. Interested? You can apply here.
Generic calibration software typically hits a tolerance of around 3dB from their target, often based on the Harman curve or something similar. In contrast, OLLO headphones are acoustically flat, with a tighter tolerance of about 2dB to our studio headphones standard without any software calibration.
This means they match our target curve more closely without any calibration than when using generic plugins to "correct" them.
Generic calibration means taking the average response of a few units and using that for any unit as the source data set. Imagine measuring a few generic rooms and apply their EQ settings to your room?! You'd never do that, of course not.
That's why they're limited to about ~3dB tolerance accuracy and can never achieve the level of precision of the USC calibration you get with us.
How do we achieve that?
The USC removes manufacturing variances and enhances frequency response beyond what's typically possible (with acoustics only) for each individual unit.
This is achievable because we meticulously test each unit during quality control, allowing us to customize the calibration precisely for that unit.
Generic calibration software solutions often advertise "individual calibration services," which require you to send in your headphones and pay a premium. For instance, Sonarworks charges €149 for this service, plus shipping costs and an additional €99 for the Sound ID license, totaling nearly €300.
With OLLO USC, you receive individual calibration and the USC license included when you purchase our headphones or as a flat-rate €49 upgrade for older models!
For the geeks disecting every word:
A tolerance of ~0.5 is generally acceptable in our official reports and documentation. This does not include HRTF - KB500 by GRAS resonances, as we avoid correcting anything with a Q factor above 1.2. This limitation is due to the current capabilities of ear simulators on the market, which can lead to poor sound quality if there's a mismatch between the simulator's and the end user's HRTF. We utilize a variety of systems, ear simulators, sources, and targets, and we always clearly specify the tools and methods used near any claims, charts, or datasets we present. For instance, we detail smoothing steps, source signals, and compensations applied. When referencing competitors' claims, we rely on their officially published materials or data obtained in the lab using well-defined and disclosed scientific methods and tools. We mention their brands or product names strictly for comparative purposes (fair use). It's worth noting that they produce excellent products.
If you're using the 2.0 edition or later, you can import the calibration file directly. Otherwise, you'll need to manually input the calibration values into the EQ section of the plugin.
Thank you for your support! You can keep using the USC I with all types of headphones, including the X1. Feel free to also use the USC II and import your calibration file from the USC I seamlessly. It's perfectly fine to have both plugins installed on your system.
Customer Reviews
Overall rating: 4.9 / 5 from 335 reviews.
Ollo X1
These headphones are amazing!!
I’ve used them for a month for both live sound and studio mixing.
++ Live:
- Comfortable
- They offer a flat response, and the semi-open design allows for precise mixing while maintaining the intensity and presence of the front-of-house sound.
- The case is great.
++ Studio:
- Comfortable
- I was blown away by the frequency response—so much so that it threw me off a bit at first :).
After a month of use, I’m really enjoying them; I find them to be an excellent reference for monitoring.
Thanks, OLLO.
Game changer, this headphone will make your mixes translate so much better in every system. I check all my mixes and masters through them before sending to the client. Really accurate, no ear fatigue and they are very comfortable to wear for hours.
Great great product and great company.
Insane Good, I am now confident that everything will translate in my bedroom studio, without having to constantly check everything :) Didn't expect to be that good.
I am using a modified OLLO X1 Calibration Curve that encompasses my specific headphones and fine tuning and suggestions from Roc.
This are F*n Amazing you will not regret it.
I have Kali Audio IN-8's calibrated in a modest self treated room and the X1's seem to be the best companion for my Kali IN-8's as there isn't much difference in and out with how things are balanced, which was unexpected.
Super comfortable, not keen on the red sheath colour on cables, but hey, the soundstage and listening experience is way above it's pay grade :) Thank you
The Ollo X1 is truly a work of art. Its spacious soundstage and lightweight design expand my mixing possibilities more than I expected. The detail retrieval far surpasses that of other headphones I’ve tried. It’s amazing how comfortable they are—I highly recommend them for overdubbing and calibrating hardware. I love analog gear that’s built with care by hand. You can take these headphones anywhere, which has been a huge plus for me. I’m consistently impressed by what these headphones can do.
Since receiving these headphones through OLLO’s endorsement program, I can confidently say they have been a game changer for my workflow. They offer exceptional comfort, allowing me to wear them for hours without any fatigue. But the real breakthrough is their sound response: for the first time, I have a linear low-end reproduction that gives me the same confidence and feeling I get from my studio monitors.
This has allowed me to mix entire projects exclusively on headphones, something I had never been able to do with this level of accuracy and satisfaction before. I would highly recommend them to fellow audio professionals, as they have become an invaluable tool in my daily work.
As a final touch, I truly appreciate their elegant design and beautiful wooden finish, which reminds me of the craftsmanship and character of vintage analog instruments, especially classic synthesizers.
I’m genuinely impressed and excited to keep working with them.
I have edited and mixed entire albums just about everywhere—on buses, at airports, and on planes in mid-flight. When you don't have an acoustically treated space, mixes can often be somewhat deceptive; they sound one way inside the studio, but sound completely different once taken outside of it.
I have been part of the Ollo Audio community since 2020. Thanks to my S4X headphones—and now my new X1s—I have the confidence to know that when I check my mixes on other devices—such as in cars, on mobile phones, via Bluetooth speakers, on TVs, and so on—they sound excellent.
Excellent!
I‘ve been using my S4X for years and I thought It couldn‘t get any better but I was wrong!
First the X1 are even more comfortable than the S4X.
And when it comes to the sound, they are definitely a step up as well.
They do produce a wider stage and the sound is more detailed.
Really cool precise and flat sound. The plugin calibration is also really good (I specially love club preset). The quality of materials is also great. I love those headphones. They improve my mixing and master skills instantly.
Great for mixing remotely, I've been able to travel and take them with me and my small setup! Really clean frequency response and sounds just like my favourite speakers.
I've never had an experience quite like putting these headphones on. For the very first time, I listened to music in headphones that sounded like you were still in the room listening on speakers. (The individual sound profile is an amazing touch.) Finally, mixing or mastering using headphones doesn't feel like an impossible dream.
Mi experiencia con Ollo Audio ha sido excelente. La construcción se siente muy sólida y de alta calidad, y son extremadamente cómodos incluso en sesiones largas de trabajo.
En cuanto al sonido, tienen una respuesta en frecuencia muy balanceada y natural, con gran claridad en los medios, graves bien controlados y agudos precisos sin fatiga. Destaco mucho lo fiel que es la reproducción del audio y lo fácil que se vuelve tomar decisiones de mezcla con confianza. En general, son una herramienta profesional que realmente traduce bien a otros sistemas.
These headphones are made for mixing with the flattest response I've heard right out of the box, but if that wasn't enough (in opinion it probably is) they went above and beyond to measure each pair they make and they send you the response curve to upload into your monitoring system to ensure that you get the flattest most accurate headphone experience you've ever had, at least that's what the Ollo X1's are to me. I know I can trust what I'm hearing and my mixes will translate better across all my devices. Thank You Rok and company for making the Ollo X1's
Fantastic earphones, an upgrade from my old Focal set, beautiful clarity across all the frequency ranges. Incredibly comfortable on both axes; as much as I loved my old cans, these are a step up in both sound quality and comfort.
As aesthetics, these X1S are very, very pretty. The American black walnut mounts are super figured, and the whole design seems to handle heat buildup brilliantly; there's no need to cool the old ears off.
Overall, an excellent purchase, and a company I would keep watching!!
I've been a user of the S5X and was already very happy with them, but I felt there was something missing in the low-end precision. With the new X1, not only did I get that extra definition I was looking for, but also more clarity in the transients, more realism in the spatial image — especially since working on stereo balance with headphones can sometimes be tricky. But with the new X1, everything feels more musical, more precise, and above all, something I value the most: they don’t cause listening fatigue. When I work with them outside the studio, whether it’s for production or mixing, they’re my secret weapon. I can go back to the studio, open the session, and everything I created with the X1 translates perfectly — no surprises, no adjustments needed.
I bought these somewhat blindly after looking at options for better mixing reference headphones than the Sennheiser HD series I had been using. Reviews for the Ollo X1s seemed to be good and Sara Carter's positive endorsement got me to take a chance without being able to test them before buying. Fantastic and full, detailed sound that is neither anemic nor hyped. Slipping on the Ollo X1s to check a mix against my Dynaudio BM6A monitors gives me the same level of detail without any of the room interference. I was initially a little disappointed by the thinness of the metal frame elements, but I think the idea is to provide a better balance between the transducers and the (traditionally) headache-inducing band over the top of your head. The leather strap that kind of floats is a very nice compromise. Shipped quickly and the included case and Y-cable are high-quality. I also started using them for daily recreational listening paired with a Schiit Audio Magni headphone preamp with Mesh DAC (pictured). Great headphones! Wish I would have known about them before I started mixing the most recent record that I finished!
For my work in sound editing for film and music composition, clarity and accuracy are essential. Ollo headphones give me a balanced representation of sound, allowing me to make confident creative and technical decisions. The depth and precision of the spatial imaging is something i still fall in love with again and again. The ollo x1 are the best headphones i’ve ever used!
Really loving the headphones so far. Such a detailed and pure sound reproduction. Still in the process of exploring and learning to hear with them as i am deeply in studio renovations, but soon i will be back with a proper feedback and more material.
Precise and detailed sound with defined frequency extremes. Comfortable, you can keep them on your head for hours. In the high frequency, they are much precise than the s4x
The X1 headphones deliver impressive clarity and balance. The sound is natural, detailed, and comfortable for long listening sessions, perfect for both studio work and everyday use
I discovered OLLO headphones online and decided to put them to the test. As a recording drummer, producer, and educator working in conservatories, I rely on accurate monitoring for both recording and mixing. After years of using other well-known brands, switching to OLLO has been a revelation.
The clarity across all frequency ranges is exceptional, the stereo imaging is precise, and the overall sound is natural and balanced. Comfort during long sessions is excellent as well. OLLO has clearly done their homework — these headphones deliver professional quality in every respect.
I was delighted with my S4X, the new X1 seems to me the perfect product, an even more neutral but very pleasant sound, better scenery and depth, comfortable and beautiful.
The Usc2 software is also a success, I was already a Realphones user so I already knew it would work for me.
I love being able to mix in flat mode but I also often use HARMAN mode to know how to turn out my mixing on standard listening devices. For all this I can only recommend them to everyone.
Since I use Ollo Audio headphones I feel that my mixes translate much better in any support.
I now have a pair of SX4's plus the newerS1's. Both are being used for precise audio restoration of the human voice in very old, very important, recordings (some over 70 years old) of historic sermons.
I can barely find the words to describe how happy I am with my X1 headphones.
Over the last 25 years, like many of us, I've gone through a few different sets, starting with the Sony 7506 back in 1999 because the guy who sold them to me at Guitar Center said they were the "industry standard" - a term I've come to loathe in my more mature years. Sure, I got used to them, but I didn't know anything about producing and much less mixing, so nothing ever translated. Hearing these now makes me wonder how people manage to mix on them, there is almost no low-end and the highs sizzle like pouring water on a hot oiled pan. Pfff...industry standard, sure, maybe for post, but mixing a record? Not for me.
Then came Sennheiser HD 280 because I thought, well, these have more bass and of course more bass would mean better mixes, ahem....clueless and green as a leaf of spinach.
Then AKG something, can't remember the model ], a DJ friend recommended I jump on them during a sale, and lo and behold, I found them just awful.
In the past 12 or so years it's been the ubiquitous ATH M50X, which I somehow grew to like as I got familiar with them, but a few years ago I was wanting something a bit more revealing, something I could really rely on as I began doing a lot more mixing work and travel often.
I went with a pair of Beyerdynamic 880 DT-PRO; reviews were great, and new to semi-open back I thought ok, these are surely the ones. Nearly 2 years in and I never quite got on with them, something just didn't sound right and found myself relying more on the M50X, which over time, I'm finding to be a good second set just to cross-reference mixes, after an ear break I may take those to go walk the dog in the park behind the house, and as I'm so familiar with them now, they give me a good sense of what I may have missed.
Still, I wanted to find that one set which I can truly rely on purely for mixing and mastering.
Enter Ollo Audio.
A few ads started appearing on my social feeds.
I watched Rok's very informative short clips, longer videos online, Youtube reviews, testimonials from people I admire (good for Adam Moseley = good for me).
I've had them about a month now and wow, absolutely brilliant. They are exactly as people describe them. Full-sounding, great separation and clarity, no hyped frequencies, and best of all, there's a slight forwardness in the mids which I absolutely love. Not even sure I'd say they sound forward, it's more that they're not scooped or Sven slightly tucked, they're just "present and detailed".
I still have the 880s and of course did some A/B ing a few dats after hearing the X1 and getting slowly acclimated to them. The mids on the Beyers do in fact sound a bit tucked back compared to the X1, they also have a more distant, almost hollow sound overall, for lack of a better description.
The 880s weren't bad, to be honest, but the X1 stomp all over them in every way. Thus, they are now looking for a new home on Wallapop :)
Oh, and lastly, the X1 are sexy as f.
I recently picked up the new Ollo Audio X1 headphones, and I couldn’t be happier with the experience. The sound quality is absolutely stunning—balanced, detailed, and immersive. Whether I’m listening casually or diving deep into mixes, the clarity and precision are outstanding.
Comfort, build quality, and ease of use are all top-notch as well. Ollo Audio clearly put a lot of thought into both the physical design and the digital experience.
Highly recommended for anyone who wants both exceptional audio fidelity and smart, practical tools that truly enhance the listening experience.
My experience so far with the X1 has been exceptional, it’s super comfy and it sounds great — I’ve been using it straight out of the box and it’s awesome!
I’ve noticed at the beginning that there was some intermittent audio with the right earphone, either the cable or the jack was loose or faulty. Haven’t heard it in a couple weeks but I’ll write you if it starts happening again.
I am very happy with my Ollo X 1, very good response in the whole frequency range, and very good definition. I’ve started working listening always with Ollo X 1
